Monthly Archives: October 2021

Doing Art Therapy on Myself

Here is what happened to me Friday October 15:

I fell down the stairs and bent my foot the wrong way. I might have two broken toes, I realize it could have been a lot worse. The pain is way down today so my head is more clear and I can actually write something! I don’t have to spend 100% of my time off of my foot until I have a follow up appointment with an orthopedic doctor, but I will have to spend the majority of my time with it elevated, at least for awhile. Not sure for how long, but in the meantime I’m taking the opportunity to study my art therapy book and my horticultural therapy books to see if there is anything I can do to cope better with the fear and frustration of being temporarily unable to move around much. I’d also like to help my stressed out family cope with helping me with my injury while dealing with other severe recent losses. What can I learn while I study and try things out?

Having Some Fun With Negative Space

I started out by working on some collages I began during #virtualartparty number 4, an online session my husband and I hosted to help our friends and family do a little art and hopefully feel less lonely during the pandemic. I’ll write more about the collages later, but for now I want to write about the leftover cut away paper pieces I was dropping in the waste basket to be composted. The shapes were interesting, and reminded me of something. What was it? Why were these scraps interesting? Then I remembered this really cool architecture photo I had put on an Architecture Pinterest board. And some sketches I’d done for a ceramics class in the spring of 1990. Good memories of one of those times when I couldn’t stop the ideas from coming, and a pretty good percentage of them still seem exciting to me.

What I was noticing was the shapes made by the negative space – the parts I cut away – and how they reminded me of positive and negative shapes that I responded strongly to. I took the most interesting white paper scraps back out of the waste basket and glued them down on black paper. I scanned them into the computer to make these positive and negative images to see if they inspired me to make something with them.

Using Photoshop, I made selection outlines out of the white shapes, stroked them in black, and printed out the results as coloring pages so I can try to encourage myself and other people to enjoy the benefits of coloring and art making. There is enough going on to get people started – sometimes a blank page is intimidating if people don’t know what to draw or color – that’s a tip I learned long ago in Drawing 1. There is still room for individual creativity in these and other coloring pages I’ve made available for free download.

Download free coloring pages:

Negative space #1

Negative space #2

Abstract Art

The shapes that resulted from the paper cutting do somewhat resemble natural forms, but the overall design so far is abstract. Is abstract art good for therapeutic purposes?

I often encourage people to try making some abstract art in a project that is relatively low stakes such as an art journal page, because my reasoning has been that many untrained artists are afraid that they can’t draw and therefore are discouraged from making art that attempts to be representational. If I can show them how to make art from found papers and found objects, maybe that will help them become less inhibited and just have fun.

My favorite kind of art is abstract and if need be I can keep myself entertained with shapes, colors, textures and lines for hours if not days on end. Even if I think it’s fascinating and fun, abstract art is likely going to be a hard sell for most people. Those who appreciate abstract art the most are often art and design professionals or people very knowledgeable about art, such as patrons or collectors. The general population is mostly not that big of a fan and prefers recognizable nature-based images (Marcus and Sachs 15). We know from reactions to modern art and modern public sculpture how wide the gulf can be between the tastes of art and design professionals and the general public. If this sounds elitist, it’s not meant to be, it’s just a fact pointed out in a therapy book to help practitioners offer projects that are most helpful to the patient (Marcus and Sachs 15).

Abstract art isn’t necessarily therapeutic to people with certain conditions or states of mind. Experiments on physically or emotionally stressed patients revealed not only an affinity toward nature imagery but hostility to abstract art – even to the point of attacking the abstract pieces in some cases. The same artwork often prompted positive reactions from the staff, showing how the varying states of mind of individuals influenced how the artwork was perceived (Marcus and Sachs 30-31).

Practitioners intending to use art to facilitate health should keep the client’s needs in mind above their own personal tastes (Marcus and Sachs 15). Stress is detrimental to healing, both mentally and physically (Marcus and Sachs 25), so the last thing I would want to do is add to someone’s stress if I was trying to help them.

What could I add to my abstract background to make a project that is more soothing to the general public? My project is aimed at people who want to color but don’t necessarily want to draw. I have several stencils in my collection with botanical imagery that will appeal to the universal human need for nature-based imagery. I can use colors that are soothing and also found in nature. I chose blues and greens for this demo because hot colors might aggravate certain conditions and interfere with wellness (Winterbottom and Wagenfeld 182).

Art Journal Page

Here is an art journal page I made with one of my abstract printouts and a botanical themed stencil.

I got out a piece of cardstock that I use as a template for making pages that fit my art journal and I traced around the printout to remind me where the page edge will be. I chose a stencil by The Crafter’s Workshop, Mini Four Ferns, and outlined the fern designs in pencil.
I chose a blue gray pencil color to fill in the abstract shapes so that they would visually recede into the background behind the green ferns. Where the fern and abstract shapes overlapped, I overlaid neutral gray marker. I used green colored pencils and a green Sharpie paint marker to color in the rest of the ferns where they did not overlap the blue, and I outlined the ferns with a thin black Sharpie pen. It didn’t look quite finished so I drew some lines in pencil that are reminiscent of topographic maps. Then I was satisfied!

Works Cited

Marcus, Clare Cooper and Naomi A. Sachs. Therapeutic Landscapes: An Evidence-Based Approach to Designing Healing Gardens and Restorative Outdoor Spaces. Wiley, 2014.

Winterbottom, Daniel and Amy Wagenfeld. Therapeutic Gardens: Design for Healing Spaces. Timber Press, 2015.

Make Reversible Masks

The top mask still needs the pleats, the bottom one is finished.

I made this mask pattern about a year and a half ago so that I could make my own masks with fabrics that I liked. I meant to publish it eventually, but so many people had put mask patterns out there online I figured there was no need for another one. But now the pandemic has gone on long enough that I’m getting tired of the fabrics on my original batch of masks so I decided to make some new ones. I figured if I was sick of my masks, others might be tired of theirs too and might want to try out a new pattern. So here it is!

Pieces of fabric cut to size for mask making.

Supplies you will need

Fabric

Narrow elastic

Sewing thread

Scrap cardboard or chipboard

Tools you will need

Template

Awl or large needle

Paper cutter

Sewing scissors

Sewing needle

Washable fabric marker

Pins

Instructions

Prepare the templates:
1. Download the Mask Template PDF file I made and print it out.


2. Trim around the outside edge of the template so that the paper edge ends at the 9 x 8 inch border.
3. Use an awl or large needle to poke holes through the four x’s that indicate where to attach the elastic, and where the two vertical lines intersect the border toward the bottom of the template. The two bottom holes indicate where to leave an opening for turning the mask inside out.
4.Out of scrap chipboard, cut out a 9 x 8 inch piece and an 8 x 7 inch piece. The larger piece is an aid for drawing a line to cut out your fabric, and the smaller piece is for drawing the seam.


Cut out and mark the fabric:
1. Place the 9×8 inch piece of cardstock on the reverse side of the piece of fabric you want for the front of your mask. Draw around with washable fabric marker and cut out a 9 x 8 piece of fabric. Repeat for the piece of fabric you want for the back of your mask. This pattern makes a reversible mask, so you can choose two interesting pieces of fabric, or a plainer fabric for the back if you choose.
2. On the back side of either your front or back fabric, whichever would show the marker better, lay the 7 x 8 inch piece of chipboard in the middle of the cutout fabric and trace around it with your washable fabric marker to indicate the seam line to follow.


3. Center the printed template over the fabric and make dots with the marker where you previously poked the holes. Lift the template and draw on the x’s and two vertical lines with marker.


Assemble the mask:
1.Cut out two pieces of elastic long enough to fit around your ears and hold the mask on your head. The length of elastic needed will vary by the size of your head. You can pin elastic in place to test what length you will need.

2. Lay one of the fabric pieces good side up on your work surface and place the elastic pieces so that they overlap the fabric and the ends line up with the x’s you drew on your fabric.

3. Lay the other piece of fabric good side down over the first piece and pin together.

4. Start at one of the vertical lines at the bottom indicating the opening, and start sewing along the seam line away from the opening, leaving that section open for the time being. Trim extra fabric away from the corners as shown.

5. Turn the mask inside out and pin the opening closed. Whip stitch it shut from the outside.

6. Fold the mask to make pleats as shown, pin, then sew the ends of the pleats in place. You’re done!

Easy Thank You Cards

Rubber stamps by Rubber Stampede (Thank You), Hero Arts (flowers) and unknown (passport stamp collage).

My Dad and I are making Thank You cards following the funerals of my uncle Dave and brother Larry. Tom helped a lot too with the gluing. I’m feeling the effects that a lot of people feel after serious grief and trauma: disrupted sleep, fatigue, brain fog, joint pain, muscle pain, etc. These symptoms are normal for some people after trauma and severe stress, apparently, but of course make everyday functioning relatively difficult for a time. A bike ride on Sunday with friends helped a lot. I asked Tom to be my coach and help encourage me to do the ride. He pumped up the bike tires and pumped me up emotionally and took a hot epsom salt bath with me before we got dressed for the ride to help loosen up my stiff and sore body. With that I didn’t need any pain meds like ibuprofen which I had taken from time to time the previous week. He helped me break through a big barrier and function better. I was really discouraged and scared by how sore I was and how bad I felt. I’m very grateful to have a loving husband to help me get over some rough spots and build on little victories to gradually improve over time. This is extremely hard even with help. I hope and pray that people out there who need support can get it from somewhere. As I find grieving and mental health resources online I’ll keep adding them to my self care Pinterest board.

In the meantime, Dad and I are extending the effort to make cards because we have abundant supplies on hand we enjoy using and we find the activity healing and therapeutic. But with not feeling terribly well I had to come up with a card design that was relatively simple so that we would not tax ourselves beyond our current abilities to make them. They are just challenging enough to force us to concentrate a bit but not so hard we want to give up in frustration. I have to take a lot of breaks, but I’m not giving up! Of course if you want to make your own similar cards you could use any suitable sentiment in place of “Thank You” to fit any message you want to send.

Supplies You’ll Need

Blank cards with envelopes – Dad had a whole bunch of envelopes in different sizes already on hand, so we cut plain white paper to the envelope width and folded the pieces in half to fit. If you prefer, you can buy blank cards with matching envelopes at craft stores.

Assorted papers in light, neutral colors for the two largest areas on the card, with subtle patterns on them. The design on the paper should be light enough to stamp on in medium to dark colors.

Assorted papers in more contrasting neutral colors and patterns for the narrow stripe on the front of each card.

Rubber stamping ink in a “harvest gold” color, a taupe color, and black.

Clean scrap paper to help with gluing

Optional – interesting die cuts, design tape (also known a paper tape or washi tape) and stickers for extra interest

Tools You’ll Need

Paper trimmer

Metal ruler for tearing paper

Scissors

Glue sticks

Squeegee, bone folder or burnishing tool

Rubber stamps. My friend Kate recently gave me a large collection of pre-owned stamps. I will gradually be offering some for sale in my online shop as I have time to get them listed. I did set aside some of my favorites to keep for my own collection (of course). To start out my Dad and I selected for these cards two Thank You stamps, two postage related designs, and three wildflower silhouette stamps. Unfortunately I’m not selling the exact stamps I used in this card because I really love them and there were no duplicates in the pre-owned collection Kate gave me, but you can use similar stamps in their place.

Instructions

  1. Glue a narrow strip of paper that is from the higher-contrast selections about 1/3 from either the left or right from the side of the card.

2. Cut and tear out pieces of paper in light neutral colors with subtle background patterns and glue them to the fronts of the cards on either side of the strip you glued down previously. I tore the edges that overlap the central stripes for visual interest. On some of the cards I added some stickers and design tape for a little extra interest if I thought it was needed. As you’ll see in the final graphic featuring variations on the original design, I added some hexagon die cuts I had made some time ago. When I was designing the prototype card, I asked Dad to pick out stamps he liked from my collection, and he also took out these hexagons, so I looked for ways to use a few and I liked them on some of the cards. Trim the paper to the edges of the card front when done gluing.

3. Stamp three flower stamps on the wider background side of the card in harvest gold or similar ink color. My Dad switched to a red-brown ink later in the process which also looked very good.

4. Stamp a Thank You stamp in black, and if you think the card needs a little more interest, stamp postage related designs or some other accent stamps of your choice in a taupe ink color as in my example at the top of this article. You might decide your card needs more or less done to it depending on what background papers you choose. See the graphic below for a bunch of variations that we made.

Here is a collage of some of the cards we made showing how many different ways you can use the same stamps. The additional lower case thank you stamp you see here is by Tim Holtz. Dad did most of the stamping and decided some of the cards didn’t need so much on them which is a fine design choice you can make when the papers are interesting. If you would like to download a high-res version of the above graphic (with more designs on it) to use in projects like stickers or faux postage sheets here is a link:
Printable Thank You Graphics

Additional Resources:

My Pinterest board for Greeting Card Idea and Sketches

My Facebook album for free coloring and paper crafting downloads

With more time and energy, I probably would have created a card that uses stamps that I actually sell, some of which I designed. For now the important thing was to make something nice that is also fast and easy. But if you want to browse my collection of stamps in my Etsy shop here it is: Stamping