All posts by chasenfratz

Low Tech Faux Postage: Part 1

stamp sheet collageFaux postage is a really fun mixed media project to make because it’s relatively non-threatening to create tiny works of art in a format that everyone is familiar with. There are lots of craft products you can buy that make it easier to make artwork that looks like postage stamps. A long time ago I designed some rubber stamps for this purpose and some of them are currently for sale in my Etsy shop. You can make this project with any other small stamps that you own also and a selection of paper crafting supplies. Enjoy!

1. Download and print out the two-page PDF file Low Tech Faux Postage. You’ll use the first page for Part 1.

2. Cut out some paper rectangles that are 1 3/4 inches tall and 1 3/8 inches wide from dark paper. You will need at least 16 rectangles.

Cutting rectangles from paper scraps to glue onto faux postage template.
Cutting rectangles from paper scraps to glue onto faux postage template.

3. Trim the edges with a paper edging scissors and arrange on your Low Tech Faux Postage sheet Page 1. You can think of your sheet as one composition made up of 16 tiny compositions if that helps you to get ideas. Glue down your trimmed paper rectangles.

4. Use a 1″ square paper punch and start by punching out one square for each rectangle from a selection of random scrap papers. Arrange until you are satisfied. If you have similar sized paper punches in other shapes such as circles, feel free to try them out. As you look through your scrap papers, you might get inspired to cut out other shapes. If you are moved to do so, go ahead and cut out whatever you like and glue down on your sheet without worrying about whether or not you’re “inside the lines”.

Paper collage on the template sheet
Paper collage on the template sheet. Mine is on the left, my husband Tom’s is on the right.

5. Take some tiny rubber stamps with words, phrases, numbers or symbols that have to do with philatelic stuff like stamps or cancellations. Stamp them in permanent black ink on light colored pieces of scrap paper. When the ink is dry enough to handle, cut or tear out what you have stamped.

6. Glue the torn or cut pieces to the collage work you’ve already done to help make each rectangle suggest a postal stamp design.

Stamped paper bits glued to collage
Stamped paper bits glued to collage.

7. Continue to add embellishments to your stamps until you think they look finished. Here are some suggestions for what you can add:

More cut collage papers, found or commercial
Stickers
Drawing – paint and gel markers are interesting choices to experiment with because you can write with them on slick surfaces and sometimes dark backgrounds as well
Stenciling
Image transfers
Design tape
Rubber stamping

8. When your stamp sheet is done, you can frame the whole thing to display it, cut apart your stamps to make tiny artworks, make color copies then cut apart the color copies, or put the whole thing in an art journal. Your imagination is the only limit and the most important thing is to have fun!

What is the Hallmark Channel Selling?

Here is a paper submitted for Media and Culture class, presented here before grading.


Carolyn Hasenfratz Winkelmann
Dr. Amanda Staggenborg
MEDC 5310.01: Media and Culture
12 November 2019

What is the Hallmark Channel Selling?

People tend to consume culture that is in accordance with their own attitudes, values and behaviors (Silverblatt et al. 97). If a media product gains a wide audience by appealing to the cultural norms of a large number of people, it becomes an example of popular culture (Silverblatt et al. 97).

During the week of November 20, 2017, the Hallmark Countdown to Christmas subscriber television programming was the highest rated for women in the age ranges 18-49 and 25-54 (Rosa). Hallmark put 16 more new Christmas movies into production in 2018 than 2017 (Rosa), indicating that the channel’s popularity was expected to rise even more.

Back in 2003, the Hallmark Channel was ranked 22nd. It saw itself as family friendly, “Main Street and mainstream”, with potential to become a much more powerful and popular network (Umstead). Also in 2003, the Hallmark Channel’s executive vice president of worldwide marketing and brand strategy also found the concept of “owning holidays” appealing as the channel started timing its programming to follow the holiday oriented calendar of the Hallmark brand’s retail stores (Forkan).

Hallmark stores are in the business of selling a variety of gift products that carry emotional messages (Ferrante-Schepis). On the Hallmark Channel, now one of several channels owned by Crown Media Family Networks which is in turn owned by Hallmark Cards, Inc. (About Hallmark Channel), the emotional messages support the brand and are also part of the product.

To be successful, marketers need to understand the values that their customers hold and celebrate during the holidays. Christmas consumers are moved by traditions and holiday memories (Knaub-Hardy 119-121). Other than just commerce and commercialism, many people celebrate by attending worship services and are conscious of promoting joy, love, community and kindness to others (Meredith). Typically celebrants engage in a lot of family activities such as parties, family portraits and school concerts (Stirland 22). The Hallmark brand has been around long enough that it has become a holiday tradition in its own right (Danailova 184).

The Hallmark Channel audience is about 70% female and about 30% male (Hallmark Channel CEO…) with a median age of 58.6 (Battaglio). Bill Abbot, CEO of Crown Media Family Networks, aims to appeal to viewers who are under served by an industry that in the main produces content that features violence, sex and controversy to court young viewers and the affluent audiences that are found in large cities (Battaglio).

Many Hallmark movie plots center around a woman who lives in a big city and has a stressful career (Battaglio). There are few people of color in most casts, a frequent criticism that the channel has acknowledged and is gradually taking steps to correct (Ellenbogen). The protagonist usually finds fulfillment by moving to a small town and engaging in romance with a supportive man that sometimes helps her solve her problems (Battaglio). There are holiday activities we associate with stereotypical All-American small town values and the plots make sure these endeavors include lots of consumption, such as gift giving, wrapping, food crafting and decorating (Battaglio). It makes sense to combine Christmas and romance together because the romantic ideal world view embraces Truth, Love, Beauty, Faith and Justice (Silverblatt et al. 109), values that work well in either context or both together.

Many critics have examined the implications of the popularity of these formula driven movies from feminist and political points of view. Some analysts think the movies make a pro-feminist statement while others are of the opinion that the values celebrated in the movies are a throwback to times when women had more constrained roles in society. Sometimes the movies are praised for giving viewers a respite from exhausting politicized content, and they also invite criticism from others for not including controversial or political messages.

The choice by Crown Media to attempt to avoid controversy is deliberate (Hallmark Channel CEO…). Referring back to the company’s direction in 2003, Crown Media appears to have kept its goal of “owning a holiday” firmly in mind (Forkan). Consumers who are motivated by thoughts of nostalgia, tradition and the better parts of human nature are assumed to respond negatively to programming that reminds them of how different the real world is from their ideal vision. People also reject content that is offensive to their most deeply held values (Silverblatt et al. 97).

Moving to the country has been a cherished American fantasy for a long time. When the United States was founded, many of the architects of the new nation idealized farming (Wolf). In the 1950s, when television first became the dominant form of media, many television programs moved their casts to or created shows in small towns and suburbia (Hine 24). People who moved to the suburbs liked to think they were moving to small towns, according to analysts of the time (Hine 24).

The book Populuxe makes the case that the years 1954-1964 were the high point of American consumer culture. Despite criticism by elite taste makers, many Americans bought products that were not of great quality but symbolized their fantasies about the past and the future (Hine 60-61). Crown Media appears to have tapped into the fantasies of Christmas and holiday buyers but has gone even farther by associating holiday consumption with other cultural myths of American mass consumers.


Works Cited

“About Hallmark Channel.” Crown Media, 2019, www.hallmarkchannel.com/about-us. Accessed 12 November 2019.

Battaglio, Stephen, “Hallmark Channel isn’t winning Emmys, but red states love it.” Los Angeles Times, 2017, https://www.latimes.com/business/hollywood/la-fi-ct-hallmark-red-state-20170914-story.html. Accessed 12 November 2019.

Danailova, Hilary. “Party, Gift and Hallmark Stores: Trends in Year-End Selling.” Souvenirs, Gifts, & Novelties, vol. 56, no. 4, May 2017, pp. 182-184. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=bth&AN=123229254&site=ehost-live. Accessed 12 November 2019.

Ellenbogen, Rachel, “Why Are Hallmark Movie Casts So White? We Asked The CEO” IBTimes LLC., 2017, https://www.ibtimes.com/why-are-hallmark-movie-casts-so-white-we-asked-ceo-2631589. Accessed 12 November 2019.

Ferrante-Schepis, Maria. “Lessons from Three Undisrupted Brands.” National Underwriter / Life & Health Financial Services, vol. 121, no. 2, Feb. 2017, p. 18. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=bth&AN=121064821&site=ehost-live. Accessed 12 November 2019.

Forkan, Jim. “Promo-Wise, Hallmark’s the Holiday Net.” Multichannel News, vol. 24, no. 15, Apr. 2003, p. 23. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=bth&AN=9537921&site=ehost-live. Accessed 12 November 2019.

“Hallmark Channel CEO Shares the Magic Behind the Network’s Strategy.” NCTA – The Internet & Television Association, 2019, www.ncta.com/whats-new/hallmark-channel-ceo-shares-the-magic-behind-the-networks-strategy. Accessed 12 November 2019.

Hill, Samantha Rose, “Why the Hallmark Channel Is Completely Dominating in 2017.” Group Nine Media Inc., 2019, https://www.thrillist.com/entertainment/nation/hallmark-channel-movies-success-2017. Accessed 12 November 2019.

Hine, Thomas. Populuxe: From Tailfins and TV Dinners To Barbie Dolls and Fallout Shelters. MJF Books, 1986 and 1999.

Knaub-Hardy, Kathy. “How to Sell More Christmas-Themed Home Décor and Ornaments.” Souvenirs, Gifts, & Novelties, vol. 51, no. 5, June 2014, pp. 116-122. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=bth&AN=97170255&site=ehost-live. Accessed 12 November 2019.

Meredtith, Brian. “Time to Rethink Christmas Marketing.” NZ Business + Management, vol. 30, no. 1, Feb. 2016, p. 54. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=bth&AN=112287637&site=ehost-live. Accessed 12 November 2019.

Rosa, Christopher, “There’s a Reason You See the Same Women in All Those Hallmark Christmas Movies.” Condé Nast, 2018, https://www.glamour.com/story/hallmark-christmas-movie-actresses. Accessed 12 November 2019.

Silverblatt, Art et al. Media Literacy: Keys to Interpreting Media Messages. Fourth Edition. Praeger, 2014.

Stirland, Kirby. “All the Trimmings.” Earnshaw’s Review, vol. 99, no. 6, July 2015, pp. 22-39. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=bth&AN=109111548&site=ehost-live. Accessed 12 November 2019.

Umstead, R.Thomas. “Hallmark: ‘JAG’ Fits Our Brand Strategy.” Multichannel News, vol. 24, no. 25, June 2003, p. 16. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=bth&AN=10092311&site=ehost-live. Accessed 12 November 2019.

Wolf, Tom, “A Nation Founded By Farmers.” Modern Farmer Media, 2013, https://modernfarmer.com/2013/07/the-founding-fathers-on-farming/. Accessed 12 November 2019.

There are a few more articles that I read but did not use on my Pinterest board:
Media Analysis

The Joys of Decorating

endcap at Schnarr's Hardware in Webster GrovesThis past Wednesday was a pretty gloomy day weather-wise. It wasn’t terribly cold, but it was relentlessly gray and damp. While working at Schnarr’s Hardware in Webster Groves on that day, I was given the task of helping to hang garlands and wreaths on the outside of the store. We were preparing for the Old Webster Holiday Open House which runs from 10 am – 4 pm today.

Whether it was the physical exercise involved or something inherently joyful about decorating, almost immediately my dull mood turned lively and creative. Over the next few days I got some of my Christmas stuff out and started brainstorming on decorating ideas for the store and the home I share with my husband Tom. I finally got some ideas for the endcap in the Garden department that I decorated and update from time to time. I added some paper flowers I made with tin birds, seed packets from Botanical Interests, some little tin watering cans, a canvas mat with attractive lettering and some holiday faux greenery and floral pieces.  I’d been stuck for awhile on ideas but I finally felt inspired. If you’re going to the Open House today be sure to stop in Schnarr’s – there are some new holiday items to see and and lots of festive lights and decorations!

For many years when I lived alone in my condo I did not bother with displaying Christmas decorations. I made them because I love to make them and always will, but since I didn’t have many visitors I thought it was not worth the effort just to decorate for myself. Before I met my husband, I was dating a guy for the first time in many many many (did I say many) years and I did decorate a bit while seeing him since I finally had someone else to decorate for. I think I have learned a lesson from these experiences – it’s exciting to work on decorations and displays for business purposes because selling things and creating excitement in a store is a lot of fun. But it’s also worth doing just for yourself, whether you live alone or not. You can choose to shop for a lot of new items, use old favorites or combine old and new. If you find that decorating lifts your winter mood, you are worth the effort all by yourself! You could look at it as a form of necessary self care. Tom and I will have to be somewhat restrained in our decorating at home because we have cats, but we can do something and I’m going to make the effort. (The mistletoe is up already, to make sure we get lots of use out of that!)

Matching Advertising To The Right Audience

Here is one of my homework assignments for Media and Culture class. We were asked to bring in two ads and answer questions about them. Here is my response.

Ads by Fujifilm made for different products aimed at different audiences.
Ads by Fujifilm made for different products aimed at different audiences.

On the left is an advertisement for Fujifilm lenses, and the right shows advertisements for Fujifilm cameras. The advertisement on the left is from American Cinematographer magazine and the rightmost advertisements are samples of graphics made for social media and other campaigns.

1. Does the communications strategy of the ads differ? How?

The ad in American Cinematographer features an industry professional giving a testimonial about the quality of the product. The strategy is to appeal to an audience that is looking for serious professional equipment. The format of the ad is appropriate for a magazine which an older audience is more likely to be reading in the first place.

The ads for the Instax camera are meant to appeal to consumers taking snapshots. The consumer ads are designed for social media which is used more by younger people.

2. Does the style of the ads differ? How?

The professional ad uses serious colors, typefaces, and a photo that shows the professional looking intent and purposeful. The technique used in the photo is one that would catch the eye of professionals who know what lenses and professional techniques such as depth of field can do to enhance a subject. The focus is on the face of the professional person and both the foreground and background are out of focus which makes it an effective photo in itself but also shows off technique.

The consumer ads are much more brightly colored and contain less text than the ad aimed at professionals. It looks like the product is fun to own and use due to the bright trendy colors and sample pictures of social occasions. The consumer ads are also shaped and sized differently for use in different media, for example sharing on social media as opposed to sitting down and reading a print magazine.

3. Does the content of the ads differ? How?

There is more text in the professional ad. This type of consumer would need to know about photography to be interested in the product and know how to use the product. Such a person needs to know at least a little technical information about the product to know whether they would be interested and would be willing to read the small text. There are also references in the text that would mean something to professionals and give the spokesperson credibility. The professional pictured is male and the creators of the ad are apparently assuming the majority of the interested consumers would also be male. The person is a mature age but not elderly so at a stage of life where people are usually at a professional peak. There are small pictures of the product in the ad but the professional in the main photo is the dominant image.

The consumer Instax ads have less text. The consumer for this product is going to want something simple to use and is familiar enough with the concept of a camera to know how to take snapshots. The intended audience wants to have fun with the product and the bright colors and images of social situations suggest fun very effectively. The consumer is presumably interested enough in fashion and trends to respond to different color offerings. Instead of technical specs there are words like “cute”, “party”, “fun” and “instant”. The majority of people shown in the photos are young and female. The product looks simple enough for a teen or tween to use. An older consumer who is a crafter and into scrapbooking might also be attracted to the bright colors because they coordinate with a lot of popular lines of craft supplies. The pictures of people are small and subordinate to the product which is shown much larger.

I also put some magazine ads on a Pinterest board to look at, with the publication and date indicated.

https://www.pinterest.com/chasenfratz/media-analysis/

Made From Scraps: Mini Accordion Books

Many years ago, as one of my Mail Art projects, I used to fold two-inch wide pieces of paper into little accordion books and decorate them with rubber stamps and pieces of paper that I cut out from incoming Mail Art and decorated envelopes. I carved a rubber stamp with a little graphic of a Mail Box and the words “Bits of Mail” to stamp on the little book covers. Before sending them out, I dated and numbered them on the back. I saved one example for my archives and made a few color copies to use later as collage inspirations. While I was getting the color copies made, it came up in conversation with the copy center worker that one of the black and white machines had red toner in it. I made a lot of copies with the red toner because I knew I’d find uses for the copies later!

One of my original mini accordion books from 1998 with some color and red ink copies I made at the time for future collage work.
One of my original mini accordion books from 1998 with some color and red ink copies I made at the time for future collage work.

Some of my old collage papers along with my Mail Archives had been in storage unseen for 20 years or more. I’ve been getting some of them out lately as I move stuff. With fresh eyes, I’m getting some new ideas and inspiration for improving old ideas. I decided to take these old copies and make new versions of the mini accordion books.

First I cut up the copies that weren’t already in strips into two inch wide pieces, the same size as the originals. Then I folded them and glued one red ink copy to one color copy back to back to make longer books.

Old copies with color ink and red ink cut into two-inch strips, folded and glued to make mini accordion books.
Old copies with color ink and red ink cut into two-inch strips, folded and glued to make mini accordion books.

I had a large paper crafting stash by 1998 already because I started making collages in 1985 in my first college design class and I’ve been collecting interesting papers for collages ever since. In the intervening years, there are a lot more paper crafting supplies available and some of them are a lot more to my taste than what was available in the late 1990s. Back in the day I would have said I was a “weird” stamper not a “cute” stamper. I also enjoy sophisticated antique imagery and have a lot of papers from two of my favorite brands, Tim Holtz and 7 Gypsies, in my stash. I decided that the Tim Holtz idea-ology Correspondence paper pad was a good fit for this project and I glued some of the postal themed textures onto a selection of the blank pages of my books. The dominant colors in this series are red white and blue which looks good with the red toner ink on some of my papers and the postal motifs fit the “Bits of Mail” theme.

Next I went through I box of paper scraps that I keep for teaching a card class that I run from time to time on how to make greeting cards from little scraps, rubber stamps and stencils. I took out a selection of papers that I thought would make good backgrounds and glued them in a random fashion to every other page, leaving some blank.

Mini accordion books ready for adding content.
Mini accordion books ready for adding content.

There is an old trick that I learned in drawing class long ago to help get unstuck if you are facing a blank piece of paper with no ideas – draw a quick frame around your drawing area before you start. This helps because it’s less daunting to start drawing on a paper that you’ve made some marks on than a blank surface. I get the same creative boost from using scrap papers for perhaps a similar reason – there is already some content there, however sparse and random, and that is often all I need to get me going in a creative direction.

The little accordion books I’ve made are pictured above ready to add content. What kind of content would that be? There are lots of things I could do with these little books. I could write, draw, stamp or paste in words and/or images to make a finished artistic statement. I could use them as a storage and display folio for tiny works of art such as postage stamps, faux postage stamps or tiny photos and images. I could send them off into the Mail Art network as an “add and pass on” project. What would you make?

tiny books made by various artistsFor additional inspiration, here are some samples of tiny books made by other people that I’ve received through the mail over the years. People of any age and ability level can make tiny books. Why not try one?

Mass Communication Final Paper

For our mass communication final, we were to choose two questions from a list of four and write at least a page and a half response to each question. I admit I was in more of a rush on this one than usual because of unavoidable personal circumstances and how long my first question response turned out to be. I took some risks because I didn’t have time to second-guess myself. I don’t yet know my grade. I found two typos after turning it in which I have corrected here. What will happen?


2. Summarize and critique Social Marketing. How do you see the theory’s characteristics? Provide examples.

Everett Rogers was a researcher who studied the flow of information and personal spheres of influence in the early 1960s. Rogers developed the information diffusion theory and innovation diffusion theory to explain how new ideas and technologies get distributed and adopted. He found a progression through several stages: first comes awareness, then utilization by early adopters. Opinion leaders observe the early adopters and try out the new innovations and concepts on their own. If they find the new ideas useful, the opinion leaders spread the news to opinion followers that they associate with. The last group to embrace the new innovations are the late adopters who try the new ways when they see that the majority of society has accepted them (Baran and Davis 277).

Information/diffusion theories assign some of the awareness role to the mass media, explaining that elites get the process started, then change agents whose job it is to promote actions and ideas along with early adopters who are active and knowledgeable media users take over information dissemination (Baran and Davis 278). Innovations that were not a good fit for the intended users were found to fail in the long term even if people could be persuaded to try them. A top-down approach was not satisfactory without some modifications (Baran and Davis 279).

Social marketing theory is a body of thought that deals with the promotion of practices or products that take the public good into account and are not primarily motivated by profit. To bring about desired effects in society, an information provider empowers agents with various forms of support to become opinion leaders to an active audience (Baran and Davis 279).

I belong to an organization that utilizes social marketing theory effectively – the St. Louis Master Gardener program. Our Master Gardeners spread knowledge and perform volunteer work to increase area residents’ pleasure in gardens and gardening and to provide horticultural information (St. Louis Master Gardeners “Welcome Gardeners”). How does the St. Louis Master Gardener program exemplify the seven key features of social marketing theory?

Step 1. The first requirement is to raise awareness (Baran and Davis 279). Master Gardeners sponsor horticulture related events and garden tours and send speakers out to other organizations (St. Louis Master Gardeners “Welcome Gardeners”). Members can purchase apparel with the organization’s logo to wear while performing public volunteer duties (St. Louis Master Gardeners “Master Gardener Merchandise”). The Master Gardener program also uses their web site and Facebook page to promote the organization (St. Louis Master Gardeners).

Step 2. Secondly, targeting is employed to reach those who are most susceptible to the message (Baran and Davis 280). The sponsoring organizations of the St. Louis Master Gardener Program, the University of Missouri Extension and Missouri Botanical Garden, are prominent in horticultural education. The University of Missouri Extension educates one million Missourians per year (University of Missouri Extension). Missouri Botanical Garden, also known as MOBOT, is a world leader in research and as a provider scientific plant information (Missouri Botanical Garden “Research”). MOBOT provided 121.7 million dollars to the St. Louis region’s economy in 2017 (Missouri Botanical Garden “Annual & Strategic Reports”) and is a highly rated destination for tourists (Attractions of America). Many of the public sites where Master Gardeners perform work attract audiences interested in plants, gardening, ecology and outdoor activities (St. Louis Master Gardeners “Master Gardeners in Action”).

Step 3. Messages must be repetitious and promoted through several media channels to be effective even among a targeted group (Baran and Davis 280). St. Louis Master Gardeners are required to volunteer a minimum of 40 hours and complete 10 hours of education annually to remain certified (St. Louis Master Gardeners “Become a Master Gardener”). According the St. Louis Master Gardeners annual report, in 2018 there were 346 active Master Gardeners who contributed a total of 38,100 volunteer hours and delivered 101 Speakers Bureau presentations (St. Louis Master Gardeners “Annual Report 2018” 5). That is a lot of opportunity to communicate with members of the public who are interested in gardening.

Step 4. Images and impressions of the desired behavior must be cultivated through attractive images that are easily recognizable and compelling (Baran and Davis 280). Since gardening is the most popular hobby in the US (Pearlstein and Gehringer 64) and people across many cultures find the sight of flowers pleasing (Hula and Flegr “Introduction”), there are abundant opportunities for the media and change agents to create seductive images and situations.

Step 5. Members of the intended audience must be interested enough to seek information (Baran and Davis 280). Master Gardeners are compelled by the program’s requirements to constantly add to their expertise (St. Louis Master Gardeners “Become a Master Gardener”). Gardening takes considerable knowledge to engage in successfully (Sweetser), so it’s not very difficult to get participants in the nation’s most popular hobby to seek and consume information. Gardening could even increase in popularity due to home trends that include maximizing use of outdoor space (Ballinger “What’s Hot: Trends in the Pipeline for 2018”), gardens that enhance wellness (Ballinger “Elements of a Residential Therapy Garden”), and the trend toward consuming more locally grown food (Ballinger “Agrihoods Feed Buyer Interest With Hip Amenities”).

Step 6. As the audience becomes more informed and engaged, influencing audience priorities and decision making are the next tasks according to social media theory (Baran and Davis 280). The media can be used to transmit messages to encourage the desired behavior and is usually more affordable than using change agents and opinion leaders (Baran and Davis 280). The St. Louis Master Gardener program has an advantage with access to a team of change agents and opinion leaders who volunteer their time and even pay for the tuition to become a Master Gardener (St. Louis Master Gardeners “Become a Master Gardener”).

Step 7. Finally, the audience is exposed to marketing techniques designed to stimulate action (Baran and Davis 280). The actions that the Master Gardener program wants to encourage in the general public are to engage in and enjoy gardening (St. Louis Master Gardeners “Welcome Gardeners”). As evidenced by the activities already mentioned, Master Gardeners provide a lot of free and low-cost advice to make gardening more successful and enjoyable to our audience. Some of the institutions that make use of Master Gardener services provide inspiration to the public with beautiful plantings (St. Louis Master Gardeners “Master Gardeners in Action”). The Master Gardener calendar of activities includes events such as plant sales, tours, holiday celebrations and classes about not only growing plants but using their harvested products (St. Louis Master Gardeners “STLMG Calendar”). Such activities help to stimulate interested persons into starting a garden or expanding their gardening activities.

Social marketing theorists try to make their information/innovation diffusion efforts more effective by requesting feedback from consumers and making changes during a campaign if necessary (Baran and Davis 281). They hope to avoid the pitfalls of information/innovation diffusion theory when applied to audiences that don’t want or don’t understand the innovations they are encouraged to adopt (Baran and Davis 278). Social marketing theory has several weaknesses, for example a campaign can fail to work as planned if there is no two-way communication between an early adopter and a party that resists the innovation (Baran and Davis 281).

I inadvertently found myself demonstrating some effective and ineffective aspects of information/innovation diffusion theory and social marketing theory when my husband and I started installing rainscaping features to prevent damage to our house and yard. As part of my Master Gardener continuing education, I attended a Project Clear presentation by the Metropolitan Sewer District, also known as MSD, on what homeowners can do to help MSD control flooding, sewer backups and poor water quality in our region (Hasenfratz). Social marketing theory assumes a benign information provider primarily interested in the general well-being of the community (Baran and Davis 279). In MSD’s case, if homeowners adopted the practices advocated by MSD, MSD would benefit by having some of the pressure taken off of them while society in general would also benefit by enduring less property damage, reducing some of its own costs and creating a healthier environment for humans and other species. I took on the role of opinion leader when I wrote about rainscaping on the Schnarr’s Hardware Company business blog and my husband and I became early adopters when we started installing rainscaping features (Baran and Davis 277). MSD was successful in convincing me to go through the social marketing theory steps all the way to Step 7, activation (Baran and Davis 279-280).

We encountered resistance to our innovation when our next-door neighbor decided that our rainscaping features were ugly when they were under construction and she called St. Louis County to complain. St. Louis County ordered us to undo our rainscaping but we decided to contest the order because we judged it to be uninformed and arbitrary, and we eventually prevailed (Winkelmann). Once back-and-forth communication with the County decision makers was established, events progressed quickly in our favor. I provided feedback about our experience to MSD so that they can make any changes they deem necessary for future success, as advocated by the hierarchy-of-effects model of social marketing theory (Baran and Davis 281). According to social marketing theorists, MSD might encounter less resistance to the innovations they are promoting by using Step 1 to raise general awareness and Step 4 to make the solutions look more attractive (Baran and Davis 279-280). Perhaps MSD could also use Step 5 to encourage information seeking by demonstrating how homeowners could solve more of their problems and save money with apparently still avant-garde rainscaping techniques (Baran and Davis 280).

4. Explain Cultivation Analysis. How do you see the theory? Be sure to include examples.

Cultivation Analysis is the theory that television presents a view that does not necessarily reflect reality, but because people believe it does, reality changes to conform to television (Baran and Davis 287). The originator of the theory, George Gerbner, worked on projects along with colleagues as they attempted to explain whether perceptions created by television create parallel realities in the lives of viewers (Baran and Davis 288). In the Violence Index they explored the effects of televised violence on real-life aggressive behavior. Their Cultural Indicators Project expanded the social issues studied beyond only violence (Baran and Davis 288).

One of the assumptions made by the researchers in the Cultural Indicators Project was that television has unique qualities that make it exceptionally dominant and worthy of study. Nearly all homes in the US are equipped with television. There are few barriers to the medium’s consumption. For most users, one is not required to be able to read, pay a lot of money, or leave the home to use it. Television combines sound with pictures and appeals to nearly all age groups (Baran and Davis 288-289).

The earliest critics of mass media, the mass society theorists, feared that media would usurp the role of social institutions they considered reassuring and stabilizing such as the family, education, the military, religion, business and politics (Baran and Davis 33). Research by Gerbner in 1990 seems to confirm earlier critics’ predictions. Television, a form of mass media not yet imagined by mass society thinkers, had come to replace the influence of real-life institutions, at least among heavy users (Baran and Davis 290).

In Post-World War II America, many citizens were learning new ways of living and attempting to conform to the ideal lifestyles displayed via the newly prevalent medium of television (Hine 9). Television sets enjoyed rapid adoption between 1950 and the middle of the decade, increasing from 3.1 million sets sold per year to 32 million (Heimann 5). Television sitcom families became role models for people seeking reassurance as they navigated a society that was very different from that of their parents (Hine 10).

Moving from the cities to the suburbs was trendy and caused people to become more isolated from each other as they lived with more actual space between homes and drove their own cars instead of using public transportation (Hine 23). Suburban dwellers were considered malleable and desirable by marketers in part because of their reliance on media for information instead of traditional social institutions such as the family (Hine 24). Media based authorities assumed a parental role as they advised the nation on how to manage and enjoy life (Hine 27).

Some designers of physical spaces recognized that a vision seen on a screen was something that many movie and television viewers wanted to experience for themselves. Architect Morris Lapidus designed outrageous buildings designed to appeal to tastes derived from Hollywood rather than elite classic architecture. Disneyland the theme park was a companion piece to Disneyland the TV show, and was deliberately designed to give visitors an experience that reflected the expectations developed through television viewing (Hine 150-152). The works of Walt Disney and Morris Lapidus are examples of yet another cultivation analysis premise that appears to be correct – Gerbner’s 3 Bs of Television, “the idea that television blurs, blends and bends reality” (Baran and Davis 290, 292).

Works Cited

Attractions of America. “Top 10 Tourist Attractions in St. Louis, Missouri.” AttractionsofAmerica.Com, 2012-2017, https://www.attractionsofamerica.com/attractions/top-10-tourist-attractions-in-st-louis-missouri.php. Accessed 15 October 2019.

Ballinger, Barbara. REALTOR Magazine, “Home & Design.” National Association of Realtors, 2019. magazine.realtor/home-and-design. Accessed 15 October 2019.

Baran, Stanley J. and Dennis K. Davis. Mass Communication Theory: Foundations, Ferment, and Future. Seventh Edition. CENGAGE Learning, 2015.

Hasenfratz, Carolyn. “MSD’s Project Clear and Our Local Water Issues.” Schnarr’s Hardware Company, 2017, schnarrsblog.com/msds-project-clear-and-our-local-water-issues/. Accessed 15 October 2019.

Heimann, Jim. The Golden Age of Advertising – the 50s. Taschen, 2005.

Hine, Thomas. Populuxe: From Tailfins and TV Dinners To Barbie Dolls and Fallout Shelters. MJF Books, 1986 and 1999.

Hula, Martin, and Jaroslav Flegr. “What flowers do we like? The influence of shape and color on the rating of flower beauty.” PeerJ vol. 4 e2106. 7 Jun. 2016, doi:10.7717/peerj.2106. Accessed 15 October 2019.

Missouri Botanical Garden. http://www.missouribotanicalgarden.org/plant-science/plant-science/research.aspx. Accessed 15 October 2019.

Pearlstein, Karen, and George Gehringer. “Indoors Out/Outdoors In.” Casual Living, vol. 51, no. 5, May 2011, pp. 64-66. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=bth&AN=60680069&site=ehost-live. Accessed 14 October 2019.

St. Louis Master Gardeners, 2018-2019, stlmg.org/. Accessed 15 October 2019.

Sweetser, Robin, “10 Tips For Beginner Gardeners: Things To Consider When Starting A
Vegetable Garden.” Yankee Publishing, Inc, 2019, www.almanac.com/news/gardening/gardening-advice/10-tips-beginner-gardeners. Accessed 15 October 2019.

University of Missouri Extension, “Pride Points.” Curators of the University of Missouri, 1993 to 2019, http://extension.missouri.edu/about/pride-points.aspx. Accessed 15 October 2019.

Winkelmann, Carolyn Hasenfratz. “Drainage Problems Are Bringing Tom and Me To Court.” Carolyn Hasenfratz Design, 2019, www.chasenfratz.com/wp/drainage-problems-are-bringing-tom-and-i-to-court/. Accessed 15 October 2019.


Further reading: If you like the topics I wrote about above, you might enjoy more resources that I found but did not use.

Gardening for Beginners: 11 Tips for a Successful Start

2018 Remodeling Impact Report: Outdoor Features

Human ethology

Play Review: The Lifespan of a Fact

lifespan_reviewOn October 17, 2019 I saw the play The Lifespan of a Fact at the Repertory Theatre of St. Louis. Have you ever wondered how much of the media that you consume contains truth? Have you ever pondered how you personally define “truth”? Do you ever examine your own views on what kind of media you consume and whether or not you have different standards and expectations for how it presents supposed facts depending on the genre? How many artistic liberties are permissible to take with factual events in order to create a message that you think has merit? If you have ever thought about such matters or generally enjoy the kind of play that sparks discussions among your theatre-going party, I think you will love The Lifespan of a Fact.

There are three characters in the play, a writer, a magazine editor and a fact checker. They battle with each other as they negotiate what kind of finished product will end up in the magazine according to personal and industry standards of ethics. Will the finished product serve high art or the interests of the readers, the community, the advertisers or publishers? Can a compromise be reached? What would you decide if you were the editor?

Even though the play deals with serious issues and will give you a lot to think about, this production will not test your endurance or attention span. It’s not long enough to require an intermission and is fast-moving and entertaining with humorous and emotionally touching passages. Even though one could obviously apply the ideas in the play to current political situations, there are no overt partisan political references so it’s safe to invite your conservative or liberal friends – all should have a good time.  The Lifespan of a Fact is showing through November 10, 2019.

Link to Repertory Theatre box office: 
http://www.repstl.org/events/detail/the-lifespan-of-a-fact

The Spiral of Silence Theory

DISCLAIMER: The following is graduate student work. I’m uploading it after grading from the Professor but no corrections were made.


The Spiral of Silence Theory

In 1963, Bernard Cohen identified a mass media phenomenon called agenda-setting, a theory which posits that the media has an influence over what topics people think are important even if it has limited control over the content of those thoughts (Baran and Davis 264). Research in 1972 by Maxwell E. McCombs and Donald Shaw appeared to confirm the theory while later researchers expanded on the nature of agenda-setting and amount of interchange between the media and the intended audience (Baran and Davis 264-268). Elisabeth Noelle-Neumann originated the spiral-of-silence theory which argues that people will be more reluctant to express their views if they believe those views are in the minority. This self-censorship results in views that are perceived as less popular gradually disappearing from public debate (Baran and Davis 268).

In 1973, Noelle-Neumann examined what caused the media to possess this agenda-setting power. In her view, one factor is that the media is readily available for consumption. Another reason is that there is a cumulative effect – the messages cross content formats and types of media and are repeated over time. Thirdly, there is a lack of diversity among the opinions of journalists that tends to lead to homogeneity of topics presented to the public (Baran and Davis 268-269). Other researchers have continued to criticize, test and analyze the spiral of silence theory (Baran and Davis 269).

During the 20th Century, information tended to flow in a top-down manner from the elites to the masses. In the present time, we still use legacy media such as printed materials and electronic media. The category of actors that would have relied on such “old media” to distribute their messages, such as activist groups, governments, organizations and companies, are still using those legacy channels along with the newer decentralized web-based platforms. Additionally, we are producing user-generated content in the form of blogs and social media posts that compete for time and attention alongside the more elite content sources (Poulakidakos 373). The line between production and consumption has been considerably blurred (Poulakidakos 377).

Individual media users make decisions to determine when it is safe or desirable to express an opinion in the public sphere (Poulakidakos 374). Users do monitor whether their opinion is in the majority or minority and take the effect on their online and real-life relationships into consideration before deciding what to share (Poulakidakos 374). A 2011 study by Andrew Hayes and associates examined the effect of opinion polls and found that they do have a greater influence on people who suffer more fear of social isolation (Baran and Davis 269). There is a tendency for some individuals polled to tell the researchers what they think they want to hear rather than their true opinion (Gearhart and Zhgang 38). This behavior suggests that some people who think they are conforming to their fellow citizens to gain social acceptance are really conforming to the perceived opinions of the poll takers instead.

What factors make people more willing to take the risk of expressing their opinion? Awareness of a wider variety of opinions helps – with more diverse points of view available for consumption, there is less fear of social exclusion for expressing an opinion, helping to break the spiral of silence effect (Poulakidakos 375). Minority opinion holders are more willing to speak out on issues that they hold very firmly and believe are of high importance (Gearhart and Zhgang 39). People are more willing to express their true opinions in forums where they are not required to reveal their real-life identity (Gearhart and Zhgang 39). Less popular opinions are more likely to be expressed when people perceive that their view is gaining momentum (Gearhart and Zhgang 48).

Research by Gerarhart and Zhang shows that the perception that the media is in line with the user’s opinions has only a limited effect on the willingness of people to post truthfully about their thoughts. The perceived opinion of other members of the person’s nation had very little effect (Gearhart and Zhgang 44-46). In other words, the opinions of real-life friends and family carry a lot more weight with individuals than the media or the general public (Gearhart and Zhgang 50).

Even if the intended effect is not very significant, some appear to feel that any advantage is worth pursuing when the stakes are high, such as they are in the case of a major election. It is estimated that 1.4 billion USD was spent on digital advertising in the 2016 US Presidential election (Madrigal). A Pew research study shows that with over a year to go before the next Presidential election, 46% of social media users are already fatigued by the amount of political content they are exposed to (Anderson and Quinn). Our current culture is increasingly tolerant of incivility and some of the political content and behavior goes beyond mere propaganda, taking the form of online shaming, bullying and offline terrorism. Vitriol is not only directed at candidates but also their supporters (Gordon). On our own Webster University Campus in 2019, wearing a candidate’s t-shirt or having a candidate’s bumper sticker on a car has resulted in attempted property damage, vituperative verbal insults, and physical assault (Farrah). It is possible to be attacked even when not engaging in public political speech based solely on identity (Gordon). In 2015, a man was allegedly beaten on public transportation in St. Louis for declining to state a political opinion when asked (Associated Press). The Southern Poverty Law Center reported in 2016 that there were 10 active hate groups in the St. Louis area that “target others based on perceived membership in a class of people” (Moffit).

Studies cited earlier in this paper have found that the opinion climate in a particular environment does have some effect on open opinion expression. In the case of political views, can the majority consensus in a social media platform, such as Facebook, accurately predict voting behavior? According to a study by Mihee Kim, if an individual is not strongly committed to a political point of view, not only is such a person unlikely to express an opinion in a hostile environment, that person is less likely to vote at all. People strongly partisan to a certain point of view were also less forthcoming with opinions in a hostile environment, but rather than reducing political participation in the real world as the less committed did, they increased their activities in a direction opposite of what they perceived as the majority view (Kim 700). As a result, those actors attempting to sway voters in their preferred political direction by making it seem as though the voters’ own opinions are unpopular are likely to get the opposite outcome than was intended.

The nature of new media results in users having more choices of what content to consume and more individualized control over what they prefer to consume (Poulakidakos 374). If our nation has lost its’ tolerance for the open debate that allows ideas to be heard and judged on their merits, then we will continue to make important decisions about the future of our country with only the opinions from our own self-selected sphere of influence to guide us (Poulakidakos 374).

Works Cited

Anderson, Monica and Dennis Quinn. “46% of U.S. social media users say they are ‘worn out’ by political posts and discussions.” Pew Research Center, 2019, www.pewresearch.org/…/46-of-u-s-social-media-users…/. Accessed 4 October 2019.

Associated Press. “FBI investigates possible hate crime cases in St. Louis.” CBS Interactive Inc., 2015, www.cbsnews.com/…/fbi-begins-investigations-into…/. Accessed 4 October 2019.

Baran, Stanley J. and Dennis K. Davis. Mass Communication Theory: Foundations, Ferment, and Future. Seventh Edition. CENGAGE Learning, 2015.

Farrah, Kristen. “Republicans fear prejudice on campus.” Webster Journal, 2019, websterjournal.com/…/republicans-fear-prejudice-on…/. Accessed 4 October 2019.

Gearhart, Sherice, and Weiwu Zhang. “Same Spiral, Different Day? Testing the Spiral of Silence across Issue Types.” Communication Research, vol. 45, no. 1, Feb. 2018, pp. 34-54. EBSCOhost, doi:10.1177/0093650215616456. Accessed 2 October 2019.

Gordon, Sherri. “How to Handle Political Bullying on Facebook.” Dotdash, 2019, www.verywellmind.com/how-to-handle-political-bullying…. Accessed 4 October 2019.

Kim, Mihee. “Facebook’s Spiral of Silence and Participation: The Role of Political Expression on Facebook and Partisan Strength in Political Participation.” CyberPsychology, Behavior & Social Networking, vol. 19, no. 12, Dec. 2016, pp. 696-702. EBSCOhost, doi:10.1089/cyber.2016.0137. Accessed 2 October 2019.

Madrigal, Alexis C. “What Facebook Did to American Democracy And why it was so hard to see it coming.” The Atlantic, 2017, www.theatlantic.com/…/2017/10/what-facebook-did/542502/. Accessed 4 October 2019.

Moffit, Kelly. “10 hate groups in the St. Louis area: Defining and discussing what they stand for today.” St. Louis Public Radio, 2016, https://news.stlpublicradio.org/…/10-hate-groups-st…. Accessed 4 October 2019.

Poulakidakos, Stamatis, et al. “Post-Truth, Propaganda and the Transformation of the Spiral of Silence.” International Journal of Media & Cultural Politics, vol. 14, no. 3, Sept. 2018, pp. 367-382. EBSCOhost, doi:10.1386/macp.14.3.367_1. Accessed 2 October 2019.


Further reading: Here are some links to things I didn’t use or cite but might be interesting to read if you like this topic!

Democracy vs. Republic

The Power to Influence

12 Devious Tricks People Use To Manipulate You

Facebook Says it Doesn’t Try to Influence How People Vote

“Feminazis,” “libtards,” “snowflakes,” and “racists”: Trolling and the Spiral of Silence effect in women, LGBTQIA communities, and disability populations before and after the 2016 election

Effects of the “Spiral of Silence” in Digital Media

Spiral of Silence, and the Election Half of us Saw Coming

The only true winners of this election are trolls

A Comparison Between Emotional Abuse and Saul Alinsky’s “Rules for Radicals”

How do we decide which media sources we can trust?

For our first test in Mass Communications class, we were asked to pick two questions from four offered and write at least a page on each. I’m going to take a risk and put these out there before they are graded because it might be a week before I get the graded test back and I don’t want to sit on this for that long. I’m spoiled and too used to the instant gratification that comes with self-publishing I suppose! If I decide to make any changes after grading I’ll indicate what I changed so you can see the corrections.


3. Explain Propaganda Theories. Contrast Lasswell’s Propaganda Theory and the Institute for Propaganda Analysis’ perspective. How do you see propaganda currently?

Mass society theorists have been fearful about the influence of mass media on average people since mass media first became prevalent (Baran and Davis 56). World Wars I and II along with the rise of totalitarian governments around the world caused researchers and critics to study how oppressive regimes used propaganda and to explore whether propaganda could be used to preserve and promote democracy instead (Baran and Davis 56). Behaviorism was an early theory that proposed that most human behavior could be explained by external conditioning rather than conscious choice (Baran and Davis 46-47). Freudianism was another theory that was also skeptical about the abilities of humans to use reason to control their actions. To Freudian thinkers, the rational mind was called the Ego. They believed media could be used to cause either the Id or the Superego to become dominant and undermine the Ego, resulting in people losing reasoning ability or giving up control to others (Baran and Davis 47-48).

Harold Lasswell was a political scientist who believed that the mental state of the subjects of propaganda was more important than the actual media content. In his view economic problems, war and conflict induced a form of psychosis that made people more susceptible to being manipulated (Baran and Davis 48). Democracies are designed so that it’s necessary to debate ideas in order for voters to decide which is the most rational. In his time as well as today, political discussions could become verbally rancorous and sometimes even escalate to physical violence. Lasswell believed it was too risky for people to engage in or witness such contention because it would induce psychosis that could lead to the adoption of subversive ideas (Baran and Davis 48). It would in his view be safer to expose people to benign propaganda crafted by a scientific technocracy rather than allow open debate (Baran and Davis 48-49). He advocated for long-term campaigns, possibly lasting months or years, that utilized every possible form of media to associate meanings with symbols that could be used to plant ideas into consumers that were more compatible with democracy (Baran and Davis 49).

The Institute for Propaganda Analysis (IPA) was an interdisciplinary association that existed from 1937-1942. It’s purpose was to explore how the public could be educated to consume communication more rationally and become resistant to propaganda (Sproule 486). Today we would call this type of education media literacy (Baran and Davis 293). The IPA identified the “seven common propaganda devices”, which they termed “name calling, glittering generalities, transfer, testimonial, plain folks, card stacking and band wagon” (Sproule 488-489).

In the postwar period, other theories and research methods were developed that made the Institute for Propaganda Analysis’ research and list seem out of date among many researchers (Sproule 495-496). Nevertheless the ideas and terms that the the IPA introduced are still in use. A 1995 publication by the Institute of General Semantics advocates the use of the IPA’s concepts because they are non-technical and understandable by a wide variety of people (The Iconography of… 14). They created a set of symbols to illustrate and provided rhetorical examples with the symbols inserted to indicate which propaganda devices were used. A 2017 article in Psychology Today makes the case for continuing to use the Institute for Propaganda Analysis’ list along with an introduction that explains some of the history of propaganda and the IPA (Shpancer). A web site called Propaganda Critic was created during the early years of the World Wide Web. The project team for Propaganda Critic views itself as a successor to the Institute for Propaganda Analysis (Delwiche and Herring). They retain many of the IPA’s terms and ideas on their Propaganda page while renaming and adding a few of their own (Delwiche).

It’s not new for the elite classes to be concerned every time a new communication technology is introduced (Baran and Davis 33). An example of a media literacy effort developed to combat the new challenges that come with new technology is DROG. DROG is a European interdisciplinary organization that produced an online game called Bad News in collaboration with Cambridge University. Players are cast in the role of an online propagandist and earn badges for Impersonation, Emotion, Polarization, Conspiracy, Discredit and Trolling. The goal of the game is to make media consumers more aware of the new propaganda techniques made possible by modern technology. Although the goals of DROG are very similar to organizations like the older IPA, they have created a new list with new terms that does more than just put a new label on old ideas (DROG).

 

4. As an example of Normative Theories, what are the major aspects of Social Responsibility Theory? What are the pros and cons? How do you see Social Responsibility in the future?

A normative theory explains “how a media system should be structured and operate in order to conform to or realize a set of ideal values” (Baran and Davis 16). Social responsibility theory has been the dominant normative theory in the United States from the reform era of the early 20th century up to the present time (Baran and Davis 60-61). Since our Bill of Rights contains Freedom of the Press, the government is limited in what it can do to regulate communication (Baran and Davis 64-65). The Hutchins Commission on Freedom of the Press, consisting of leaders in different fields, was convened and financed from 1942-1947 by the CEO of Time, Inc. to explore how the press could better serve the public and avoid excessive government regulation (Baran and Davis 72). The commissions findings were summarized in Social Responsibility Theory of the Press in 1956 (Baran and Davis 73).

According to the ideas in the report, journalists were encouraged to be professional by being competent, accurate and balanced in their coverage. Beyond just their own financial interests and that of their employers, they had a duty to also serve society. Serving society was thought to consist of abiding by the law and not inciting crime, violence or disorder. All members of society including minority groups would ideally be respected and have their interests and views represented (Baran and Davis 74).

Doubts abound about whether social responsibility theory is actually followed by media professionals. Even if attempts are made to follow the guidelines, the results are not always what were intended (Baran and Davis 74-75). There are many barriers to living up to the ideas in social responsibility theory. Often members of the media are reluctant to engage in policing each other because they fear undermining faith in the whole organization or profession (Baran and Davis 75). Standards are vague enough that members of the media can go pretty far in protecting their own interests (Baran and Davis 76). There are no professional licenses that allow journalists to practice and it’s difficult to define who is a journalist and who is not (Baran and Davis 76-77). The output that journalists produce is often the product of many hands and it’s difficult to know who is responsible and what the actual damages are from misdeeds (Baran and Davis 77).

Technology has democratized the ability to be a publisher and consumers can choose from a wider variety of information sources (Baran and Davis 82-83). The American public’s trust in the media had dropped to a historic low point by September 2016 according to a Gallup Poll (Americans’ Trust in…). If the media wants to regain more of the public’s trust it might benefit from some self-examination and self-regulation in the tradition of the Hutchins Commission on Freedom of the press.

 

Works Cited

Baran, Stanley J. and Dennis K. Davis. Mass Communication Theory: Foundations, Ferment, and Future. Seventh Edition. CENGAGE Learning, 2015.

Delwiche, Aaron. “What Is Propaganda Analysis?” Propaganda Critic, 2018, https://propagandacritic.com/index.php/how-to-decode-propaganda/what-is-propaganda-analysis/. Accessed 24 September 2019.

Delwiche, Aaron and Mary Margaret Herring. “About This Site.” Propaganda Critic, 2018, propagandacritic.com/index.php/about-this-site/. Accessed 24 September 2019.

DROG. Bad News. 2018, http://getbadnews.com/. Accessed 24 September 2019.

Shpancer, Noam. “The Con of Propaganda.” Sussex Publishers, LLC, 2019, www.psychologytoday.com/us/blog/insight-therapy/201702/the-con-propaganda. Accessed 24 September 2019.

Sproule, J. Michael. “The Institute for Propaganda Analysis: Public Education in Argumentation, 1937-1942.” Conference Proceedings — National Communication Association/American Forensic Association (Alta Conference on Argumentation), Jan. 1983, pp. 486–499. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=ufh&AN=20908496&site=ehost-live. Accessed 23 September 2019.

Swift, Art. “Americans’ Trust in Mass Media Sinks to New Low.” Gallup, Inc. 2016, https://news.gallup.com/poll/195542/americans-trust-mass-media-sinks-new-low.aspx. Accessed 24 September 2019.

“The Iconography of Propaganda Analysis.” ETC: A Review of General Semantics, vol. 52, no. 1, Spring 1995, p. 13. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=f5h&AN=9503150320&site=ehost-live. Accessed 23 September 2019.


Interesting links I found but didn’t use:

No, I haven’t read all these (yet). But I want to save them where I can find them again and if you are interested in the topics I wrote about above you will probably find some good reading in there!

Society of Professional Journalists Code of Ethics

Answers to Reader Questions on Our Brett Kavanaugh Essay

Information & Media Literacy: Skills Needed in Today’s World

Majority of U.S. adults think news media should not add interpretation to the facts

Public Attitudes Toward Computer Algorithms

What are the best examples of modern-day propaganda in the US? – a discussion that shows that some people have a good grasp of what propaganda is and some just define it as whatever they don’t agree with.

Partisans are divided on whether they associate the news media or Trump with ‘made-up’ news

Public Attitudes Toward Technology Companies

Public Insight Network

Handbook for Citizen Journalists

Digital Hydra: Security Implications of False Information Online

Information Disorder: Toward an interdisciplinary framework for research and policymaking

Emotional content to earn more attention

Time to call out the anti-GMO conspiracy theory

Bots, #StrongerIn, and #Brexit: Computational Propaganda during the UK-EU Referendum

Computational Propaganda Worldwide: Executive Summary

Causes and Consequences of Polarization*

Political Polarization & Media Habits

The Role of Conspiracist Ideation and Worldviews in Predicting Rejection of Science

Discrediting moves in political debates

https://www.lifewire.com/what-is-internet-trolling-3485891

Propaganda in the Digital Age

“Everything I Disagree With is #FakeNews”: Correlating Political Polarization and Spread of Misinformation

Enjoying My Home Grown Greens

Fresh picked salad from the backyard with cherry tomatoes, dill, arugula, chives, romaine, mustard greens, edible flowers and wild greens.
Fresh picked salad from the backyard with cherry tomatoes, dill, arugula, chives, romaine, mustard greens, edible flowers and wild greens. I served the produce over cold edamame noodles.

I hope now that the ordeal with our rain garden is over Tom and I can start actually enjoying our garden! One of the many things we like about it is being able to pick fresh salads every day in season. I’m going to be really sad when it gets too cold to do this.

Since I took these photos, this monarch has hatched and is on it’s way to Mexico right now if it has not run into misfortune along the way. I’ve helped raise a bunch of caterpillars this year by providing habitat and I’m really happy about that!

Monarch butterfly caterpillar turning into a chrysalis over a 24 hour period.
Monarch butterfly caterpillar turning into a chrysalis over a 24 hour period.

Since I welcome caterpillars to my garden, I get species I really want as well as caterpillars that eat some of the greens I want to eat. One of my strategies is to plant enough to share. I also like to encourage beneficial insects that prey on garden pests.

Read more about it on the Schnarr’s Blog:
What is Eating My Mustard Greens?