8.5 x 11 Scrapbook Pages of Route 66 Sites and Events in Lebanon, Missouri
In my tutorial “Scrapbooking My Way on the Highway” I explained why I chose an 8.5 x 11 inch page format for my Route 66 scrapbooks and described how 3-ring binders help me to arrange my photographs by geographic order rather than time order. I’ve taken a lot of Route 66 trips and plan to do more in the future, so I like to be able to insert pages from the same area next to pages from an earlier trip. This practice helps me to learn the geography of the road and to document how it changes over time.
When you mount standard-sized photos on an 8.5 x 11 inch page, you are left with a lot of empty areas to fill. This is not necessarily a bad thing because as a result there is ample room on the pages for journaling and small ephemera. Lately I’ve been experimenting with another way to fill those empty spots – with small photos.
There are online companies that specialize in printing 2 x 2 inch photos from your social media accounts. I decided to try out the services of Social Print Studio to see how such photos look in my existing albums.
In the image at the top of this article, I have mixed the white-bordered 2 x 2 prints from Social Print Studio with standard sized-photos on two scrapbook pages that show places and events in the Lebanon, Missouri area. I’m really happy with the results – these small photos really help me use the space more efficiently and the white borders look terrific on colored cardstock.
I also tried using Photoshop to make montages of photos for printing in a 4 x 6 format. This is a great way to print photos from social media that are not of a high enough resolution to print in a standard size. The tiny photo at the lower left was taken from Facebook. Yes it’s small but it’s better than not having it at all! This is a great way to obtain a bunch of small photos to fill in gaps for a very reasonable price! Just cut the montage prints apart and fit the tiny photos in among the larger photos.
The image below shows two more pages that utilize the 2 x 2 photos from Social Print Studio. I like to mix emphemera in my albums and I have a lot of brochures and brochure-sized items displayed in pockets. On an 8 x 11 inch page, after I install the pocket there is no room for a standard sized photo but as you can see there is room for 6 small photos!
8.5 x 11 Scrapbook Pages of Route 66 Events and Locations Between Springfield and Carthage, Missouri
Yes it might seem a little early to talk about Halloween crafts – usually in early August I feel like I’m just getting used to the summer lifestyle. The Fall 2015 issue of RubberStampMadness is out and I want to let you know about it because my article “Stamping Halloween Postoids” is featured within! If you want to read it check the newsstand at your favorite craft retailer or go to the RubberStampMadness web site to order a copy. My four-page article will guide you step by step in creating your own Halloween Faux Postage stamps to decorate your Halloween mail and crafts.
I also have a selection of Halloween and Faux Postage rubber stamps available in my online shop Carolyn’s Stamp Store. I have complete postoid stamps and parts to help you design your own artistamps. Check out my newest designs featuring skeletal animals, crows, creepy bugs and more!
Me with wood garden signs that I made along with supplies to make them. I’ll be demonstrating stenciling at Schnarr’s Ladies’ Night, April 30th, 2015.
How would you like a practical and decorative wooden sign for your yard or garden? Stencils are handy for such a project because they are available in letters, numbers and lots of fun decorative designs.
Do you collect glass insulators? I often see them for sale in antique shops and there are several web sites with information for insulator collectors. I’ve always found them attractive looking and I thought they’d be even more interesting if made into something functional. Flameless votive candles are a lot of fun (and safe) to incorporate into your decor. In this project I’ll show you how to make a glass insulator into a flameless candle lantern.
Here is a press release about an endangered historic bridge on Route 66 in Missouri:
“Hazelgreen, MO: Route 66 enthusiasts from all over the world will gather at 3:00 p.m. at the west end of the Gasconade River Bridge near Hazelgreen, MO on Saturday, March 14 to voice their support for a Missouri Route 66 and Ozarks icon, that being the bridge across the Gasconade River in Laclede County, Missouri. This ever-growing group of organizations and concerned individuals has worked tirelessly to save this bridge, including, at this point, seeking to have the bridge placed on the National Register of Historic Places. Over 200 people are expected to attend the rally. Having recently received notification that the bridge is indeed eligible for inclusion in the National Register of Historic Places, the Lebanon-Laclede County Route 66 Society (LL66), a 501(c)3 nonprofit, has come forward as this group’s supporting organization moving forward.
Following the 3:00 p.m. rally, attendees will meet with other activists, historic preservationists, members of the Route 66 Association of Missouri, Laclede County Government Officials and officials from the state to discuss the Gasconade River Bridge and what can be done to save this historic structure. This meeting will be held at 5:00 p.m. at the Lebanon-Laclede County Library, located at 915 S. Jefferson St. Everyone with questions, specific interests, or desired involvement in the bridge is welcome to attend. The intent of the meeting is to discuss plans of action, forming of a committee, and discussion of any developments or findings since the last rally in December 2014.
Despite the fact that it was relatively short-lived as a highway, US Highway 66 (Route 66) is, without a doubt, the most famous road in America. It is important in the history of US transportation as the first national highway linking Chicago and Los Angeles, but its significance in American history is much more far-reaching. Route 66 is symbolic of the major changes in American life during the first half of the 20th Century. These changes included the proliferation of automobiles, the development of roadside culture, and the westward migration of Americans during the depression and post-war years. However, more than anything else, Route 66, the Main Street of America, the Mother Road, has become an icon of progress, hope, opportunity and adventure in America.
One of the reasons Route 66 is such a strong visual and physical experience is because of the way it was designed and engineered. Unlike new interstate highways, which are more efficient and meant to handle thousands of cars at high speeds, Route 66 has a more human scale, and as a result, people feel more physically connected to it. It is narrower, tends to have grassy shoulders (which means less pavement) and motorists can drive it more slowly without slowing the flow of traffic. As a result, the landscape unfolds instead of whisks past.
Scenic Byway Routes like Missouri Route 66 have value not only for aesthetics and preservation, but also as a way to promote desirable forms of tourism and increase income in regions. Foreign and domestic tourists alike are interested in visiting the various points of interest, and the natural wonders of the physical and cultural environment offered along the Missouri Route 66 Corridor. Economic development opportunities in the Laclede County Route 66 Corridor are greatly based on corridor travel experience, as well as land uses and infill opportunities in the various communities.
Intact bridges may be contributing features of large historic landscapes, or may be considered as individual resources. Intact bridges and individual sections of roadway may be representative of early engineering, workmanship and changes in road-building techniques during the period of significance, and of common patterns of use. These resources are important as tangible links with specific events and emerging technologies, such as completion of the first stretch of 4-lane highway Route 66 in Missouri, as well as for their overall role in the development of the highway system. The presence of intact historic roadways and bridges can also serve to strengthen connections between other types of resources, such as landscapes and groups of buildings.
The Gasconade River Bridge is significant because of its actual experience of the road, the kinesthetic experience that is dependent upon a sense of place created by intact landscapes as a contributing property along Route 66.
The Gasconade River Bridge has the ability to evoke a sense of place and experience. This historic structure, dating to 1924, is fully intact and reflects its period of significance, making it a perfect candidate for the National Register of Historic Places. The goal of this group of concerned citizens, passionate Route 66 enthusiasts/preservationists is to ensure the restoration and preservation of this historic Route 66 Bridge.
“This bridge personifies Route 66 through the Ozark region,” states Roamin’ Rich Dinkela. “Even if you’ve never heard of Route 66 you know when you see this bridge that you’re seeing a living part of history. Much like the Chain of Rocks Bridge in St. Louis, this structure reels in people from all over the world. I know it sounds crazy, but people young and old have a hunger for history. What will they learn about if this bridge and others like it are replaced with homogenized, sterilized, lifeless concrete structures? Nothing! They’ll see it in a book and wish they could have experienced it. As they thirst for more knowledge about our historical byways, they will gravitate toward the regions that make preservation a priority. We can do this; we can save this bridge.”
Tens of thousands of tourists, mostly traveling abroad from other continents, descend upon the Mother Road ANNUALLY to live and experience the past. To these tourists, it’s the dream of a lifetime. Replacing the bridge with a modern structure would alter the canvas of Route 66 through the Ozarks, consequently interrupting that dream. According to a Rutgers University study released in 2012, more than 5 million people live and work along Route 66, more than 85% of Route 66 tourists visit historic places and spend over $38 million a year in Route 66 communities! Route 66 tourism boasts annual gains of $262 million in overall output. Our historic landmarks and pieces of infrastructure such as the Gasconade River Bridge should be kept available for tourists to experience.
Samples of testimony from around the world:
Anja and Wolfgang Werz (Germany): “Several thousand tourists from Germany traveled each year the Route 66 from Chicago to Santa Monica. An important reason for them is to ride on the trail of American history, including historic bridges such as the Gasconade River near Hazelgreen, MO. If all the historic attractions of Route 66 are gradually removed, it is for the tourists no longer interesting to come to the U.S. and travel The Route 66.”
Monique and Willem Bor (Netherlands): “Many tourists from the Netherlands like to drive the Route 66 and see all the old buildings, bridges and stretches off Route 66. Please be careful with the remaining attractions because else tourist will no longer be interested in Route 66. Lately many old motels are disappearing, they were demolished or they burned down. Preservation is very important so… preserve the historic Gasconade Bridge!! Be proud of what’s still there!”
Publicity is the most instrument force we can ask for. We want to make sure our community is seen and heard. Missouri’s historic infrastructure is important, and right now it’s in the most critical condition. Our leaders need to recognize the need for maintenance and preservation of our aging highway system. While we still have these historical structures around, it’s imperative we preserve them for the sake of our growing communities. It’s not just a bridge, it’s not just a road, it’s a landmark. People tell stories about it, pay thousands of dollars, fly thousands of miles to see it, and they marvel over it. What will we leave behind for our children? Help us fix our historic structures. Help us get the attention of Jefferson City and Washington DC. We look forward to seeing you at the rally!
A lot of gifts and products come in decorative metal tins. Usually I don’t like the design already on the tin and prefer to cover it with something else. Turn a humdrum tin into a treasure with decoupage!
What you will need:
Images on paper to decoupage
Scissors
Scrap paper
Metal ruler
Optional: rubber stamps
Timber Brown StazOn stamping ink
Metal tin
Sandpaper
Rag
Small flat paintbrush
Water container
Paint palette with wells
Old credit card
Water based matte medium (if you prefer a glossy surface, use gloss medium)
Aleene’s Turbo Tacky Glue
Sponge
Metallic Silver StazOn or other silver paint appropriate for metal
Silver Ribbon
Cardstock
To begin, gather together paper pieces with imagery that you like. This project will work best if they are on thin, opaque paper (not tissue paper). For my sample I wanted to create decorative tins for the bath, so I collected nostalgic images with a bath and personal products theme. Some of my images were downloaded from the Internet and printed for me at an office supply store. Some were cut out of magazines and catalogs, some vintage, some newer. Others were purchased from craft suppliers.You can also stamp images onto paper with permanent ink, such as the StazOn Timber Brown I used in this project. I stamped words from the rubber stamp set “Products on the Kitchen and Bath” onto narrow strips of torn scrap paper. Use any color of stamping ink you like as long as it is waterproof.
Trim the images and cut to the size you want to use. Some images will look better cut out cleanly, some look good torn by using your metal ruler as a straight edge. You can also cut some with decorative paper edging scissors for variety. This project looks best if you prepare images in a variety of sizes.
If you have any pieces larger than 1 inch square, there is a risk of the paper wrinkling as you apply it. Here is how to prevent wrinkling. Put down some scrap paper to protect your work surface. Pour a little matte medium into one of the paint wells. Paint the larger paper pieces on one side. Let dry, then flip over and paint the other side and let dry. Now they are ready to apply, wrinkle free!
Prepare the tin to accept the paper – Sand the tin to rough up the painted surface to better accept the glued on pieces. Wipe of the dust with a damp rag. Let it dry.
Applying paper to tin
Now for the fun part, applying the paper pieces! For now, set aside the lid and only work on the body of the tin. Squeeze out some Aleen’s Turbo Tacky Glue into one of the paint wells. Start with larger paper pieces first – brush some tacky glue onto the back of each, then smooth in place on the body of the tin with your fingers (we’ll be using a different technique for the lid so set the lid aside for now). If you have to, roll the handle of your brush over the paper after you apply it or burnish with the edge of an old credit card to force any excess glue out and make the paper bond tightly to the tin with no gaps. You don’t have to worry about wiping or brushing away any excess glue if you don’t have big globs of glue oozing out – it will dry clear. Repeat this process until the whole bottom portion of the tin is covered. Let dry, then coat with a varnish of matt medium.
Now we’ll work on the lid and a silver ribbon to wrap around the bottom edge of the tin. Sponge silver StazOn ink or other paint or ink of your choice around the edge of the lid and about a half inch onto the top. Cut two pieces of silver ribbon that are long enough to go around a tin one time. Tape them to a piece of scrap paper and sponge them with the silver ink or paint too – even though the ribbon is already silver it’s best to match it to the ink.
Once the silver ribbon is dry, glue it around bottom edge of the tin with Tacky Glue.
When the silver paint on the lid is dry, varnish lid and body of the tin with matte varnish.
Collage on cardstock
Get a piece of cardstock and decoupage it all over with more pieces of decorative paper. Let dry and coat with matte varnish.
Circles of collaged cardstock ready to glue onto lids
When the cardstock is dry, cut out a circle that is big enough to cover any unpainted areas of the lid. Glue down this paper circle with Tacky Glue, and let dry with a weight on top to keep it flat. You’re done!
Last night I listened to a really fun and informative podcast by The Scrap Gals on the topic of Memory Planners – using a planner to help stay organized and also save as a scrapbook-like keepsake with photos, decorative papers and all kinds of other fun things that we associate with scrapbooking. I’ve saved old planners or calendars on occasion because the records in them really bring back vivid memories. Memory planners are a really great idea but I don’t anticipate having the kind of time to exploit the idea to the fullest.
One idea on the podcast that really had me intrigued was the idea of combining an art journal with a planner. This got me thinking. I have kept sketchbooks since 1985 and I’ve saved all of them. They have a lot of thumbnail sketches and notes about future projects in them, and occasionally other things that get in there because it’s the handiest blank paper around – supply lists, to-do lists, hours that I’ve worked for various clients to be transferred to electronic records later, web site notes, class notes, things like that.
A sketchbook could incorporate aspects of a planner. I have rubber stamps in my Carolyn’s Stamp Store collection with months, years, and days of the week – designed for memory crafts, but adaptable for making a planner too. I also have several sets of letter and number rubber stamps and stencils from other companies, some are even vintage. Along with my rubber stamps, I got out a pencil and ruler and started playing around with page layouts.
First page layout experiment – two weeks per page
I used the wall calendar that I keep in my office as a reference and filled in the first two weeks. On this first attempt I tried to include 14 days per 8.5 x 11 inch sketchbook page. Some good things were happening, but I decided that I needed more room for each day. As a result I came up with this second layout:
One week per page with To Do list on the side
This is the layout I’m going to stick with for awhile. The month, day and year stamps are from my own Carolyn’s Stamp Store. The large numbers are from ‘Lil Davis Designs and the pointing hand and ruled lines stamp are from 7gypsies. A page like this is quick to throw together. My stamping got a little sloppy there on the numbers but this is pretty much for my eyes only so it’s not a big deal. My plan is to add a new week as needed wherever the next blank page happens to fall in my sketchbook. I’ll write in things like work schedules and appointments and also make a brief note about what I did that day. I went through my rubber stamp collection and picked out ones I thought suitable for journaling and put them all together in a bin with the inks I used on this page so they’ll be handy when I need them.
I’m looking forward to this new way of getting organized and recording my activities. When this sketchbook is full, I may switch to a 3-ring binder and put 8.5 x 11 inch sheets of drawing paper in it, with the flexibility of adding additional pages wherever I want of any kind of paper or cardstock if I want to expand the memory aspect of the planner/sketchbook combo.
Sometimes when I’m not sure if I’m going to be able to use vegetables or herbs before they go bad, I stick them in the freezer for soups, casseroles, sauces, pizza and things like that. I had a can of salmon, some rice and Quinoa mix and wanted to make a casserole, so I looked in the freezer and found some spinach, parsley, green beans and sweet peppers. Perfect!
Ingredients:
Cooking spray
Leftover vegetables
4 cups cooked rice or quinoa, or a combination of both
1 can salmon
1 can low-fat cream of mushroom soup
4 slices hot pepper yogurt cheese (or other cheese of choice)
Directions:
First cook the rice and/or quinoa. I cooked mine with homemade vegetable broth for extra flavor. Place the cooked grains in a large bowl and stir in the cream of mushroom soup, without water added. Open the can of salmon and drain the juice into the grain mixture.
Spray a large glass baking dish with cooking spray and arrange vegetables and herbs over the bottom of the dish. Pick apart the salmon to find the vertebrae and discard those. Arrange salmon pieces on top of vegetables. Cover all with grain/soup mixture. Top with cheese slices. Cover dish and bake in oven for 45 minutes at 350 F degrees.
