Rubber stamped paper frame around a collage on an art journal page.I made the collage based on an activity prompt by Somerset Studio Magazine. The stencils for the collage are by The Crafter’s Worshop and Tim Holtz. The rubber stamps in black making up the frame are of my own design. The background paper is by p13.
I made this rubber stamped paper frame for an art journal page. You can make one like it for that purpose or other projects such as scrapbooks, greeting cards, photo displays and more.
When I placed my collage on this piece of decorative paper for my art journal, I thought it needed a little more so I decided to make a frame for it. I used tracing paper to draw out the size and shape I wanted. Then I transferred my drawing to scrap card stock and cut a template to use for tracing.
I traced around and cut out four frame pieces.
I wanted black and near-white rubber stamped images to glue to the frames, so I got a bunch of stamps out that are of my own design and stamped them in black stamping ink on cream color card stock. Some of these stamp designs are available in my Etsy shop, and some only exist as hand carved stamps.
Tearing the stamped cardstock into strips for making smaller mosaic pieces
I tore the stamped images into small pieces, and glued them to the frames.
After trimming the frames were done and ready to mount in my art journal.
I’m working on a lesson plan to possibly teach at Thomas Dunn Learning Center. I plan to make another, more polished sample. You might enjoy seeing the steps I took to make my prototype.
I took a piece of paper and drew lines in pencil to roughly divide it into 7 vertical sections – one for each letter in ROYGBIV, the way were taught to memorize the colors of the rainbow when I was young – Red, Orange, Yellow, Green, Blue, Indigo and Violet.
I made each divider line a double line, then hand drew some overlapping bird silhouettes in pencil. I treated the birds as negative space and the sections above and below as the positive space. I outlined and then filled in with black pen doodles the top and bottom sections above and below each bird. I erased the pencil lines.
ROYGBIV starts with Red, but I wanted Red to be toward the middle and not the end since the warm colors draw the eye more. I started outlining the negative space on the inside edge with red colored pencil starting with the fourth line from the left. I outlined each divider line in the successive rainbow colors in both directions and for about half the bird shape on outline on either side. I gave the outlining a soft graded treatment so that the white birds would have a “glow” to them and come forward visually when the background was filled in and darkened.
I colored in a mosaic of color patches in colored pencil roughly following the rainbow progression. For example where it’s supposed to be violet, I colored with violet and analagous colors such as purple and pink. The only thing I left white was the middle of the bird shapes.
Colored pencil leaves kind of a waxy surface that doesn’t take pen or marker ink well sometimes, so I sprayed the piece with Workable Fixatif to treat the surface to accept marker and pen.
Here is how it looked with the background textures partially filled in.
I wanted a darker background so the birds would stand out. Some of the doodles I drew lended themselves to filling in the negative space in solid black. Other patterns I had to get a little creative with to find a way to make them darker. I looked for ways to add solid black areas to those patterns.
Here it is all filled in. I’m going to make a neater sample on sturdier paper as a sample then schedule the class. This was a test to see if the concept would work, and I think it will! Do you have an suggestions? Please comment if so!
Here is Dad in Open Art Studio with me at Thomas Dunn Learning Center a couple of days ago. He’s coloring in a black and white doodle he did last year.
Some of my finished scribble art. This is the second of two scribbles. Are these finished “art”? Maybe they are, but even if they are not I might use the resulting textures as collage elements or image transfers in other projects in the future. They should look pretty good as is with a nice mat and frame.
The work on this page was inspired by the project “Collaborative scribble drawing” in the Expressive Arts Activity Book that I use a lot for study and inspiration (Darley and Heath 60).
Scribble art is a great icebreaker. No artistic talent or skill is needed so it’s easy to get started. If done as art therapy it can also create a rapport between the facilitator and the client by making it into a collaborative activity (Darley and Heath 60). For example, in a two person exercise each person can make a scribble on a blank piece of paper, then the participants trade papers and finish off each others drawings. The initial scribble can even be made with eyes closed to take all the pressure off of having to show artistic skill. Abstract results can also be a way to encourage conversation about something the scribble might remind the participants about (Darley and Heath 60). Following are several examples of scribble art that I made with my husband Tom and my Dad Don.
If you want to try something like these samples, here is a list for tools and materials.
Tools and Materials
Bristol board or drawing paper
Pencil
Eraser
Stencils
Black markers in various widths
Colored pencils
Found papers for collage – I used the insides of business envelopes
Tracing paper
Tape
Glue stick
Scribble art by me and Tom. I did moths on the left with Tom’s scribble and he used my scribble to add in various textures from stencils on the right.
Tom and I each made a scribble with our eyes closed with black marker on Bristol board. Next we traded papers and used commercial stencils by The Crafter’s Workshop to further develop the designs. Then we finished off our designs by coloring in parts of the image with colored pencils and markers.
Tom’s scribble was a challenge to work with because it was very dense. It did remind me of something – I turned it into moths trapped and tangled to represent trying to overcome some kind of frustration or challenge. This kind of work is not only good for the brain but just from a visual point of view it’s a good way to discover effects you might want to use in other art later on.
Scribble art by my Dad. Texture practice on the left, filling in the scribble on the right.
These examples were made by my Dad. First I gave him an introduction to Zentangle and doodle art which I wrote about in a previous blog post. He practiced making some repeating textures. Then we each made scribbles on two sheets of drawing paper. We kept our favorite of the two sheets then traded the other. Then we filled the sheets in with textures from our samplers. For extra fun we glued cutouts from the insides of business envelopes into some of the areas in the scribbles. I thought they looked cool with the hand-drawn textures. The tape and tracing paper from the materials list were used along with the pencil to get my collaged paper pieces to fit in their spots on the scribble drawing.
This is my first scribble art sheet in progress. I think it’s against the “rules” of Zentangle to pre-draw pencil lines as a guide before rendering the designs in marker. But I did it anyway!My finished scribble art after erasing the pencil lines. Bristol board and robust good quality drawing paper will stand up to a lot of erasing if you need it.I made a scribble version of Faux Postage using a printable template I shared awhile back. Dad had started this sheet awhile ago by making marks with stencils and markers in the upper left. He’d left the sheet unfinished for a year or two so I asked him if I could finish it. I was inspired by blue and black patterned envelope insides to make a monochromatic design on the sheet. When I finished marker drawing, coloring and collaging, I glued on some little pieces of paper printed with rubber stamps to evoke postage stamps. I’m going to get printouts made of this sheet and send it out to other artists when I next do some Mail Art.
I’m grateful to Dad and and Tom for doing art with me from time to time. I sure do feel a lot less lonely when I get to do a project with somebody. It helps us all with our general well-being and is also a great way to spend time together. When you’re working on art that is mostly mindless, once you get started, it’s easy to talk about various things. It’s also a good activity to do alone when you’re stressed and need to get in a better state of mind. The finished product really isn’t the point if you’re doing it for therapeutic reasons, but I also get skills and inspiration for future art work while I practice.
Works Cited andRecommended Reading
Darley, Suzanne and Wende Heath. “The Expressive Arts Activity Book: A Resource for Professionals”. Jessica Kingsley Publishers, 2008.
When I was in grade school in the 1970s, I developed an unquenchable doodling habit early on. I covered almost everything in sight with doodles, including my brown paper textbook covers, folders, notebooks and tops of desks – I used pencil on the Formica tops so it would wash off. I thought my habit was harmless and decidedly my own business because I only doodled on my own property or with media that was washable, and I refrained from doodling on homework. I remember that my third grade teacher didn’t agree with that point of view at first and would try to curb my habit by confiscating my implements whenever she saw me doodling away. I don’t think that lasted long. My Mom complained to her about it and gave me extra pens and pencils so I’d always have another one anyway. I was mostly an obedient child but this is one area where I flat out refused to conform. Before too long I was left alone as long as I washed my desk top periodically. That seemed fair to me and all was peaceful from then on.
A popular item I remember from the 1970s was a DoodleArt kit. These were basically sophisticated coloring posters for older kids, teenagers, and adults. The black and white design was Doodled for you and the consumer was meant to color them in with colored markers. As I recall these were sought after items by myself and my peers in the 70s. While shopping at the toy store and the craft store I would drool over them. If I got one for Christmas or a birthday it was a thrill. Here is a link to a vintage DoodleArt kit for sale on Etsy, and I also found an apparently attempted DoodleArt revival on Facebook.
In the present day, many adults once more enjoy adult coloring, similar to actual DoodleArt. Many people like related activities such as art journaling and bullet journaling. Popular Zentangle is a form of meditative pen and ink art where the artist fills in sections of a design with repeating patterns, usually in black pen or marker. Some people add color to their Zentangle designs. Zentangle results do remind me of DoodleArt in a way, though Zentangle practitioners freehand draw their own designs instead of purchasing pre-made coloring pages.
A lot of my art journal pages are somewhat similar to Zentangle, in that I often like to fill in sections with repeating patterns, sometimes hand-drawn, sometimes traced from a stencil. Whenever I put some of my new art journal pages on Pinterest, in the area where you are shown similar pins to your own, a lot of Zentangle art comes up in my feed. I decided just for fun to try Zentangle for real just to learn a variation on what I already like to do. It really scratches that doodling itch that I still have!
My sampler #1
There are lots of samples online of fill-in textures that you can draw in your Zentangle designs. I’ve linked to a few on a Pinterest board so you can see samples and get inspiration. After viewing some samples I decided to make a few of my own samplers featuring my own textures inspired by art journal pages I’ve already done. Here are some easy instructions for making your own sampler.
Tools and Materials Drawing paper Ruler Pencil Eraser Selection of fine tip black pens and markers of different diameters Optional – circle template
Use a ruler and pencil to divide drawing paper into evenly sized squares or rectangles.Outline areas in one thin line and one slightly thicker line. Fill in each section with a hand-drawn texture of your invention. Erase the pencil lines as you fill in the paper.As a variation, on a second piece of drawing paper I slanted the lines to make more irregularly shaped sections to fill in.Yet another variation made by tracing four different sized openings from a circle template.
Some samplers I’ve seen online are works of art in their own right. The ones you see here are not that refined – they are more for practice and developing a vocabulary of textures that reflect my own taste in design. When I’m ready I’ll have lots of choices I can use to make my own version of Zentangle art.
