On Saturday, April 7, 2012, I joined members of the St. Louis Adventure Group (SLAG) for a float on the Meramec River. The Meramec is a prominent feature of the Route 66 corridor from Phelps County to St. Louis County, where it makes it’s way toward the Mississippi River. It is visible from Route 66 in St. Louis County and crosses paths at Valley Park and Route 66 State Park. Once you leave St. Louis County you will have to travel a little way off of Route 66 to see the Meramec River at spots such as Onondaga Cave State Park, Meramec State Park or Robertsville State Park. In between the parks are additional points where you can put in and take out boats.
The Missouri Department of Conservation has provided maps to show where the put-in points are. On our April 7 float, we put in at Pacific Palisades Conservation Area (147.3 on the map below) and Allenton Access (154.2).
Meramec River Access Points
This was a fairly short float. We stretched it into about three hours by really taking our time. It was also easy – there are only a few spots where you really have to pay attention to navigate around snags that always seem to be right where the current is swiftest! Our group was made up of experienced paddlers but the Meramec River should always be respected regardless of experience level – it is deep and fast enough to drown people, so if you are going to float it please be sober, make sure you can swim, and use a personal floatation device. You might consider carrying a knife on your person to cut yourself free in case you get tangled in anything. Read here for more safety tips and legal guidelines.
After the float, several members of our group headed to Super Smokers (a Route 66 Association of Missouri Business Member) for a delicious BBQ dinner. We were very impressed by the swiftness at which they served our large group. The food was fantastic!
If you would like to try one of Missouri’s many beautiful float streams but don’t own a boat or need a shuttle, check out our list of Business Members – there are a couple of outfitters on there who will happy to tell you about their offerings.
Sewing and relaxing by the water. Far left – working on Experimental Art Quilt #1 in our backyard last summer within view of our pond, enjoying the waterfall sounds. Middle and right, Cole’s Creek campground at Carlyle Lake in Illinois. I’m at the far right under the camper canopy working on a salmon-colored shirt that I am patching and stitching on.
When I’m fortunate to get some time to relax, I like to take a portable art project like hand-sewing outdoors to work on. If I can set myself up by water, that’s even better! Better still to add human companionship by going on a group campout. It’s always nice to take a little break from kayaking and other active pursuits and sit down around a campfire. If I should happen to get stuck with a lot of rainy weather and have to stay under a shelter for awhile, I’ll never be bored waiting it out if I have sewing with me to do. I have more camping trips planned for this season so I’ve prepared some next steps in three different current sewing projects to work on while I’m out there. These are easy to transport rolled up and carried in a bin with a selection of sewing threads and tools.
Experimental Art Quilt #2, begun in 2019, in progress.
I’ve readied the right side of Experimental Art Quilt #2 in preparation of adding some accents in blue scrap fabrics and blue thread. The image above shows how I used computer graphics to plan out the red triangle area that I sewed during the last campout. I knew the finishing touches on this were going to either make or break it, so I tested out the red area in Adobe Illustrator first before stitching it. I think after adding the blue area, I’ll go back to the pale yellow areas for a bit of subtle texture, then I think it will be ready for the border to complete it.
Scraps plus reverse applique
Here are some of the scrap strips I made earlier combined with some fabric that is going to frame it in a reverse applique technique. I make a lot of strips of both paper and cloth scraps to incorporate into other projects later. I’m turned on by the idea of one stripe being colorful and rest being all neutrals.
Far left: a journal cover made with strips of paper scraps. I revisit this way of working with paper and over and over and still not tired of it. Middle: an apron with strip piecing and applique on the front. I was going to add embroidery in the middle but decided it was enough without it. Seeing this image again of what I planned makes me want to make another one to see what the original idea would have turned out like. On the right is my mother-in-law with the reverse applique Easter apron I made for her.My favorite shirt in the 80s and lifting the pattern from it.
My favorite shirt from the 80s is on the left. It used to be white and black with short sleeves and a collar. Over the years, it got so stained and faded that I stopped wearing it, but I could not bear to get rid of it because I loved the pattern so much. In 2018 I dyed it my favorite color lime green when I had a batch going for my wedding, and last summer I cut the collar and sleeves off and made it into a vest. Now I wear and enjoy it once more!
On the right is that salmon-colored shirt I’ve been stitching on. When I bought this shirt it was white with black. Yes I still love black and white shirts with Aztec-looking designs on them! The first time I wore it, it got stains on it from riding a chartered party van to and from a Rush concert (May 2015 during their farewell tour – EPIC day and night by the way – my brother and his friends started partying at brunch, I joined in a group pre-show BBQ about 3 pm after getting my day’s work done). I don’t know what got on the shirt, but I could never get it out. I put it aside for future dye experiments to try to fix it. I made two different mistakes when dyeing because I was in a hurry and ended up with even more stains and splotches to try to cover up. So I decided to put embroidered patches on all the bad spots until they were all covered up.
Transferring design traced from older shirt to patches for newer shirt. I scrambled the old design a bit to make it just a little different. That’s not the first time I’ve reproduced part of this shirt design for a project – my very first experiment with linoleum block printing in 1985 used part of it! I wanted to print it on EVERYTHING.
Patches on the front are done, though as it gets closer to completion I might add some decorative trim from top to bottom around the center panel to tidy it up. It doesn’t have to be symmetrical, but I think it needs to be a little neater. Now I’m starting work on the back. Sleeves will be last. Although the look is different, the concept of patching clothing with decorative stitching was done very well by the Japanese with the art of Boro, which I would love to try out in the more traditional Japanese manner sometime.
This was a lightweight, airy shirt when I first bought it – now it’s going to be a bit heavier because of the layers, maybe for fall wear. Probably when it gets close to completion I’ll add some white or metallic or both to the yoke area to bring the focus back to the neckline area. In the meantime, I’m having a lot of fun doing the stitching in different weights and colors of thread, like salmon, peach, rust, and coral to see what happens!
I’m still new to the Canvas Corp Brands Creative Crew so I didn’t handle the entry process for the January challenge quite right and it’s not on their web page. But that’s ok, I’ll just put my entry here on my blog. The challenge was to make a project based on the prompt “Be Lazy” or “Be Lacy”. I decided to do a couple of scrapbook pages about kayaking for my contribution. Kayaking is often strenuous but there are opportunities for lazy moments when you float around on a lake eating a picnic lunch or let yourself drift downstream for awhile on a river. Almost every time I go floating I take a “foot selfie” to remind myself of how chilled out and relaxed I am on water. It makes the effort of transporting the kayak well worth it!
Simple two-page scrapbook layout of kayaking outings from last summer. My fiance Tom is featured on the left hand page, my friend Jodie on the right.
I do some of my scrapbooking in a memory planner. The pages shown here are 8 1/2 by 5 1/2 inches to fit within the memory planner format I’m currently using. I have a current planner that I carry around with me, and after the pages get used I transfer them to an “archive” volume. I periodically go back and scrapbook photo pages into the “archive” volume as I get time if I didn’t complete them while the pages were current. I use 7gypsies binding rings to assemble the archive volumes because it’s easy to open and close them and add pages as I get them done.
The papers I used in this project include some selections from the 7gypsies Architextures collection and the Canvas Corp Natural Nautical collection. I enhanced the papers with some Tim Holtz design tape, a couple of brads and a couple of sequins.
